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Boštjan Antončič SL

Boštjan Antončič (1980, Slovenia) started dancing in Plesni forum Celje with Goga Stefanovič-Erjavec and continued training at the Salzburg Experimental Academy of Dance, where he danced in projects by Matjaž Farič, Susan Quinn, Mia Lawrence, and Matej Kejžar, and created his own performances.
He taught workshops in Slovenia and around Europe, and was a faculty member at the High School for Contemporary Dance in Slovenia and SEAD in Salzburg.
In 2005, he joined Rosas. He danced in many productions, including D’un soir un jour (2006), Bartók/Beethoven/Schönberg—Repertory Evening (2007), Steve Reich Evening (2007), Zeitung(2008), The Song (2009), En Atendant (2010), Cesena (2011), Drumming, Vortex Temporum (2013),Work/Travail/Arbeid (2015), Mitten wir im Leben sind/Bach6Cellosuiten (2017) and The Six Brandenburg Concertos (2018). He also participates in the (re) staging of Anne Teresa De Keersmaeker’s work, including Così fan tutte at the Paris Opera in 2017. Recently, he danced in the museum projects of the Dark Red series, the revival of En Atendant (2022), and Forêt(2022).