Bojana Cvejić RS

Bojana Cvejić, born in Belgrade (YU) and based in Brussels since 2001, is practicing dramaturg and writer whose research spans performance theory, critical theory, philosophy and dance studies. She is single author of Dramaturgy at Work (Routledge, upcoming) and Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance (Palgrave Macmillan, 2015, Maska 2021 in Slovenian) and co-authored five books, most recently Toward a Transindividual Self: A Study in Social Dramaturgy (co-written with Ana Vujanović 2022). Cvejić is Professor of Dance Theory at Oslo National Academy of the Arts and visiting professor at Centre for Dance Research at Coventry. She has been affiliated with P.A.R.T.S. (Brussels) since 2002 where she teaches performance & dance theory and has overseen the theory program (2014-2025). Since 1996, Bojana has made, performed or collaborated on numerous works of music theater, dance, and theater in Europe as co-director, dramaturg or performer. She also made several videos and video-installations exploring dance, choreography and politics, such as …in a non-wimpy way… (with Steve Paxton, 2013), Yvonne Rainer’s WAR (2013) and Spatial Confessions (for Tate Modern, 2014). Continuing her research on social choreography and dramaturgy, transindividuality and antifascism into social practice, Bojana has been active in co-organizing collective platforms of self-education and experimental production (including TkH/Walking Theory 2001-2017 and Performing Arts Forum, Saint-Erme since 2005).